Following the success of the three-part miniseries of the same name, the drama series follows the daily lives of Seattle's Gardner family. Joe Gardner is the owner of a successful plastics business and the father of four adult children. The Gardner family includes twice-divorced daughter Anne, who returns home with her two teenaged children; daughter Lindley and husband Jim, parents of a newborn baby daughter; black sheep son Jack; and conservative youngest son Sam, newly married to free-spirited Kay.

Adapted from Peyami Safa’s novel Selma and Her Shadow, the movie tells the story of Selma. Selma (Görkem Yeltan) is the ultimate femme fatale whose alluring and seductive nature and irresistible charms exude an aura of death for men.

Based on the 1930s comic strip, The Shadow is put up against his archenemy Shiwan Khan, who plans to take over the world by holding a city to ransom using an atom bomb. Using his powers of invisibility and "the power to cloud men's minds", The Shadow comes blazing to the rescue with explosive results.

The singular life of Beryl Markham - renowned aviatrix, author and adventurer

Failed London banker Max Skinner inherits his uncle's vineyard in Provence, where he spent many childhood holidays. Upon his arrival, he meets a woman from California who tells Max she is his long-lost cousin and that the property is hers.

Jon Katz is close to burnout. He's a writer with writer's block; his wife has left for her sister's because he's emotionally distant; he rarely answers his phone. A kennel sends him a border collie that's undisciplined because of abuse. Despite a series of mishaps, Jon decides to keep trying with the dog, and he rents a dilapidated farm house to give the dog room to run. A local handyman refers Jon to a woman who might be able to help him train the dog. Reluctantly, Jon gives her a try. Is the dog the problem, or the owner?

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As the coronavirus pandemic progresses, the overlapping routines of three New Yorkers (Eve Lindley, Emilio Vitolo, Mitzi Akaha) change unexpectedly.

A short experimental work in which a montage of serene images is undermined by the ominous threats of true-crime television shows and a spoken interpretation of the love letters of Mary Kay Letourneau.

As the coronavirus pandemic progresses, the overlapping routines of three New Yorkers (Eve Lindley, Emilio Vitolo, Mitzi Akaha) change unexpectedly.